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<url><loc>https://jillszoowilson.com/2026/10/14/who-gets-to-tell-it-experience-and-authority-in-august-wilsons-fences-the-piano-lesson-and-ma-raineys-black-bottom/</loc><news:news><news:publication><news:name>Jill Szoo Wilson</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-10-14T15:12:00+00:00</news:publication_date><news:title>Who Gets to Tell It: Experience and Authority in August Wilson&#8217;s Fences, The Piano Lesson, and Ma Rainey&#8217;s Black Bottom</news:title><news:keywords>Theatre, Acting, Jill Szoo Wilson, Theatre Education, Literary Criticism, August Wilson, Fences, Ma Rainey&#039;s Black Bottom, The Piano Lesson, African American Theatre, Inheritance, Black arts</news:keywords></news:news><image:image><image:loc>https://jillszoowilson.com/wp-content/uploads/2026/10/august-wilson-experience-authority-fences-piano-lesson-ma-raineys-black-bottom.png?w=150</image:loc></image:image></url><url><loc>https://jillszoowilson.com/2026/10/13/no-true-valor-what-courage-is-for-in-macbeth-hamlet-and-much-ado-about-nothing/</loc><news:news><news:publication><news:name>Jill Szoo Wilson</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-10-13T15:33:39+00:00</news:publication_date><news:title>No True Valor: What Courage Is For in Macbeth, Hamlet, and Much Ado About Nothing</news:title><news:keywords>Theatre, Acting, books, Jill Szoo Wilson, Sanford Meisner, Directing, Uta Hagen, Literary Criticism, literature, William Shakespeare, Hamlet, Macbeth, shakespeare, Much Ado About Nothing, Performance Theory, Shakespearean Tragedy, Shakespearean Comedy, Acting and Performance, Theatre Studies</news:keywords></news:news><image:image><image:loc>https://jillszoowilson.com/wp-content/uploads/2026/10/shakespeare-courage-macbeth-hamlet-much-ado.png?w=150</image:loc></image:image></url></urlset>
