Poem: Of Melody and of Moan

The sky is hot like leather

Brown and coating our skin

With beads surging into streams

Of sweat


In the distance

A lonely guitar throbs

Crooning refrains of love

And regret


We toil long and

Hum the oscillating songs

One by one to forget

The hour


Bugs sway back and forth

On blades of green

Tired and scorched by fever and

By life


Women tell stories

Laugh with heads thrown back

Simple versions of disaster pulsate in

Their smiles


Men with sinewy arms

Pull from the lazy earth

Swollen roots of sustenance and

Of dreams


Children thump the ground

Like ragtime drummers

Beating rhythms of play and

Far away


The musician strums andante

Caressing silvery strings releasing

Vibrations of melody and

Of moan.


© Jill Szoo Wilson, 2023

Poem: Slowness

There is a secret bond between slowness and memory, between speed and forgetting. A man is walking down the street. At a certain moment, he tries to recall something, but the recollection escapes him. Automatically, he slows down.

Meanwhile, a person who wants to forget a disagreeable incident he has just lived through starts unconsciously to speed up his pace, as if he were trying to distance himself from a thing still too close to him in time.

In existential mathematics that experience takes the form of two basic equations: The degree of slowness is directly proportional to the intensity of memory; the degree of speed is directly proportional to the intensity of forgetting.

Milan Kundera, Slowness

Kundera, man. This guy just knows how to pierce into and extend a metaphor.

The question his thoughts inspire in me today is this: when we travel from the present moment to our memories–or an imagined future–does the speed of life around us change? How do we move from our imaginations to our current surroundings? Slowly or with speed?

Slowness
By Jill Szoo Wilson

A breeze blows through my window
proclaims,
"I wants to write,"
as it lifts the pages of my notepad–
the crinkling sound of paper–
no–
the sound of pages running across a sidewalk
though no footsteps follow behind.

Free, the pages tumble
twist into a roll–
double back salto tucked with a triple twist–
a pigeon holds up a sign,
"7 out of 10."

It had to be the pigeon.
No one else was paying attention.


The fluttering of the notebook page
pulls me back into the moment–
how many sounds have I forgotten to hear?

Do I hear the past
more loudly than today?
How many hours echo through a chamber of disparate chatter
?

A dog is barking,
a squirrel's claws are tapping the inside of my ceramic pot,
I'm humming a song that was sung to me once,
the pigeon is bored–
he flys away.

©Jill Szoo Wilson, 2023


Poem: Unzipped

Born into the beauty of Spring

Between a fog-covered morning and

Daffodils breezily performing

A ballet in minor keys

She was touched first by the sun

Tenderly

Warmly

Our greatest star floated down

Like a blanket,

Covering.



Her mother was gentle

Hands soft and graceful—

Rose petals against her fingers

Blushed in their inadequacy

To soothe pain

With placid refrains of

Touch

Sliding down from

Cheeks to chins

With whispers thin.



Her father worked the fields

Gathered to his chest

The yields he nurtured

From seeds into

Future nourishment

Carried

In straw-colored baskets

To a town where

Eyes lit with hellos and

Hands shook with goodbyes.



Buried deep inside

The beauty young

A grain of aberration was planted—

Roots grew long and

Slanted downward

Spreading wide

Like awns on Wheat

Piercing delicate organs

Changing the beat

Of her sunflower heart.



Melancholia filled the pasture

Of her mind

A harvest inward

Pulling

Watered by heredity

Drowned in mystery

Tears stagnant

Hidden

Breeding mosquitos

Draining from within.



Born into the beauty of Spring

She lived in the landscape of Winter

Bracing against snow-filled torrents

Of frozen joy—

A sculptor of ice into smiles

A painter of masks

Detailing profiles

Desperate to delight

Those she could not disappoint—

Ashamed to bare only flickering light.



Her mother named her Bliss

Her father called her Life

They held her hands

Through seasons passing

Interlocked their fingers

With her plans

Held her high for every eye

To marvel and admire

Proud of the child, the woman

They knew her to be.



Her outside

Belied

Silent cries—

A contrast of

Cheerful attainment to

Sorrowful containment

Wrenching from

The wish to please

To the reality of

Brokenness.



As Autumn sang

Its songs of change

She unzipped her disguise

Let her discrepancy fall

And her hopelessness rise—

A coffin soft

Burlap and heavy

She sunk into the shadow

Where finally she could hide

From sunshine and from lies.

© Jill Szoo Wilson, 2016