A single painting in an art museum gathers the gaze of countless viewers, linking people who will never stand there together.
This is a poem about that.
A hundred eyes
have paused at this painting—
or maybe a million—
a crowd distributed across decades,
all standing just where I stand now,
though wearing different shoes.
Some looked quickly,
some leaned in,
some tilted their heads
as if the angle held a secret.
None of them knew
they were becoming part of each other’s story.
The gold frame won’t say
how many people have stood here,
or how long,
or what they were hoping for.
Paintings don’t keep lists.
Still, I wonder
if your eyes
have ever touched this canvas
in the exact place mine do now.
If so, the colors would remember.
They are better archivists than we are.
A single brushstroke
might recognize you—
the way the spotlight sharpened on its surface
when you stepped closer,
the way it softens now
because I have.
We might have shared this moment
without sharing the hour.
Two visitors,
unlikely to meet,
connected by a patch of green
that neither of us layered
yet both of us trust.
It’s possible
the painting knows us both—
you by a trace of perfume,
me by the giggle I released too loudly,
you by the tear you wiped away quickly,
and them by a single loose thread
from their bright red scarf.
All the while,
it stays exactly where it is,
patient as a held page,
letting strangers
complete the same sentence
with different eyes.
What an odd, prismatic intimacy—
to be joined
by something that never speaks,
yet answers
each of us
in turn.
© Jill Szoo Wilson, 2025
