Poem: Lucy, After

History prefers its geniuses solemn.
Preferably male.
Preferably seated.

Preferably holding a cigar—
not a cigarello
between long red fingernails.

Instead—
a woman with hair like an emergency flare.

Tell me:
who approved that color?
Which committee of grey
signed off on scarlet?

She slips on grapes.
The floor does not conspire.
Gravity does what gravity has always done.
The miracle is timing.

A conveyor belt advances chocolates
toward frenzy.
She does not manage the machinery.
She collaborates with it.

Is this not a form of authorship?
To be devoured publicly
and still shape the rhythm?

Another spoonful.
The vowels lose confidence.
A nation repeats the error
faithfully.

Behind the laughter—
what?

A pen moving.
A contract reconsidered.
A chair dragged two inches closer to the head of the table.

Two inches is nothing.
Two inches is history.

The cigars call her difficult.
Smoke prefers obedience.
Fire prefers oxygen.

Which one endures?

The camera adored her.
Which is to say
it surrendered.

Or did she surrender first—
learning its angles,
its appetite,
the exact duration of a silence
before an audience inhales?

Meanwhile, another actress waits
in a hallway that smells faintly of carpet glue
and compromise.

How long has she been there?
Since childhood?
Since the first “maybe next time”?

Lucy opens the door.

The actress who had trimmed her ambition
to fit inside the cigars’ shadows
discovers a window.

Somewhere, years later,
a woman walks into a room
and does not think to apologize.

How does permission travel?
Through blood?
Through rumor?
Through reruns?

The grapes are now wine.
The pratfall loops.
The Martian is still loitering
on the windowsill.

Was she a clown?
An executive?
A wife staging chaos while drafting order?
Yes.

Is solemnity the only costume
genius may wear?

If so,
why did the room tilt
when she leaned?

She falls.
She rises.

The laughter echoes.

The chairs remain turned
toward hers.

© Jill Szoo Wilson, 2026

Poem: Concerto for Springtime and Squirrel

Spring does not arrive in ribbons.
It comes with a throat full of weather.

The sky lowers itself
until rooftops seem to hold it up.
Rain begins without ceremony—
a rehearsal for drowning
that never quite succeeds.

On the oak’s blackened spine
a squirrel emerges,
fur slicked to its quick, astonished body.
It pauses as though the world
has just been repainted mid-sentence.

Green—
not the polite green of greeting cards,
but the kind wrung from the earth
by pressure.

Grass leans forward, fluorescent with rumor.
Moss burns along the stones.
Even the bark darkens into something
nearly blue.

The squirrel descends headfirst,
a punctuation mark with claws,
tail arched like a question
the storm declines to answer.

Water pearls along its whiskers.
It blinks, and the yard rearranges itself.
Every leaf appears newly sworn in.
Every puddle holds a duplicate sky
shivering with revision.

Somewhere thunder practices authority.
The squirrel does not applaud.

It runs—
a brief streak of umber against electric green—
then stops again,
as if suspecting
that sight itself has molted.

What has changed?
The tree remains a tree.
The fence, a fence.
Yet color has stepped forward
and declared independence.

The storm insists.
The earth complies.

And the squirrel,
small curator of the soaked morning,
presses its paws into the vivid grass
as though testing
whether the brightness
will stain.

© Jill Szoo Wilson, 2026

Poem: Subsequent Kingdom

Photo Credit: Heiko Müller, the formidable German Surrealist Painter
The hour came

When she no longer knew

Where to stand and so

She sat

In the middle of a ground

Hollowed of movement

And sound.

Wrapped her arms around

The tops of her knees,

Squeezed and held

Herself in a balance

That felt like a trance.

Faded memories danced,

Then turned into smoke,

Lifted up

And away—

Transformed day into

Night,

Where what was bright

Had taken flight.

There was no way

To know for sure

Where her plight would

Take her

Or send her next

But to a dream—

So she slept and found

That nightmares abound,

But dreams are the things

Worth stepping into.

And so

She slept

And she stepped.


She entered—

Her feet soaked in regret,

A substance heavier than she knew.

Underfoot,

Leaves crunching,

Small souls darting,

Dripping mysteries and dew.


She stood in a hidden forest

Where light was shattered

By shadow—

The sun trickling

Down tree trunks

Until devoured by shade.


In this place—

Where light and dark collide—

Life breathed

Without fear of

Being censured

Or scrutinized.


Her hands trembled,

Adding vibration to the breeze

Shaken loose from unseen clouds,

Wrapping around her skin

And seeping past

Petrified courage within.


Location undisclosed—

To she and he and me.

Lost inside—

No fear of being unfound,

No regret of being drowned

Between the monotony there

And this rising cacophony of sound—

Increasing swells surrounding,

Like a riptide racing outward,

Tearing her loose from security,

Crowning her

With confounding obscurity.

A subsequent Queen

Bowed low—

In coronation,

Surrendered to unpredictability,

Relinquished proposals

And control.


Her scepter raised,

Exposing the cavity

Of beating heart and soul,

Warring against

Encroaching enemies

Threatening to bring her low.


She breathed.

She sighed.

She caught the eyes

Of a creature drawing near.

In him—a revelation

She held dear,

Yet sensed she should not go near.

Stuck

Between stimulus

And choice—

As thick as tangled underbrush below,

As wide as these grounds

She did not know—

She stood still.

A stabbing thrill

Entered her side,

Some kind of alive

Breaching the tenderness

Of the space

Where her secrets hide.


She lowered her scepter,

Compelled to disavow

The tenacity of her presence here—

In a place

Perhaps she should fear.

There he stood,

Quite near.

Treading upon this undisclosed ground

Gave air to her footsteps,

And she, like a child,

Laid her focus

At the feet of he

And of mysteries

Surrounding her there—

She worshiped at the altar

Of her long-forgotten

Sense of wonder.


Unexpected places.

Unimagined faces.

Unforeseen encounters

Reminded her that life

Is an unpredictable force—

Impossible to bridle

By will alone.

“Let it be,”

Said she—

With an indignant air

Of possibility,

A heaviness in her lungs

Making it difficult to breathe—

Yet she breathed,

And she sighed,

And she moved into his realm,

Stuck her fingers in,

And pried him open—

Revealing his positives

To her negatives.


A Pandora’s Box

Of magnetism—

Cataclysmic exposure,

Volcanic disclosure—

Blasted through their chests

And up through

The tops of the trees.

A burst of what was unseen

Careened,

Trading winds

With all that was seen—

A hurricane of chemistry,

Unforeseen,

Destroying the routine

Like a machine

Come to life

With a sharpened pulse.

She realized too late

That being crowned

In her dream

Unbound her stream

Of waking consciousness—

Stuck now inside her sleep,

Between worlds,

Stewing in a concoction

Of waking memory

And present dream.


She remembered when

She had a choice—

When she sat

With her arms wrapped

Around her knees,

A breeze of normalcy

Blowing across

Tear-stained cheeks:

“The tears I knew

Were softer

Than these torrents

Where light and dark

Steal what was—

What is—

And twist the present

With what they undo.”


The hour returned.

She no longer knew

Where the path of her then

Met the path of her now.

So she sat with her crown,

Awaiting sundown—

Her sleeping life

Mingling within

Her subsequent kingdom.


© Jill Szoo Wilson, updated 2026

Poem: Hall of Dreams

Within me
(one)
are many.

I stand before
a hall of dreams—
experiences arranged
like exhibits:
fair trades,
unbalanced ones,
who I was
and who I could not be.

I sit in the gallery
of my own imagining,
hovering above
movement and stagnation,
searching for pattern.

Logic keeps me safe
while everything mingles.

The projector clicks.

Slow at first.
Then steady—
like a train pulling memory
down its track.

Flicker.
Light.
I am lulled.

I understand the staying
and the leaving,
the cleaving,
the fall.

Shadows drip
between choice
and consequence—
wax from a tongue
that once burned
with lies.

Faces I trusted
tilt in the light.

Spies in their eyes.

Or was it mine
that misread?

I thought I knew.

At least
I trusted.

I replay.

Hover above.

Detached.
Objective.

What questions
should I have asked?

The kiss.

It split me.

Once one—
now two.

I built a case
for future disgrace,
called it truth,
called it depth,
called it destiny.

But you only tilted me—
then let me go.

What I named vast
was narrow.

What I called deep
was small.

The descent—
mine.

I wanted you
to speak truth.
Instead
I heard
what I wanted.

Weak.
Yes.

Deceived—
by myself.

Within me
(one)
are many—

but now
one fewer.

I lay the hall down.
Let the projector darken.

Offer illusion
back to silence.

And keep
what is real.

© Jill Szoo Wilson

Casual Impact

By Jill Szoo Wilson

One cold, misty evening in January, I was sitting on my couch, scrolling through a website that lists job openings in my area. I was looking for a part-time position to run in tandem with my teaching assignment for the Spring semester. While my teaching load for the following school year included an overload between courses and directing a play, my Spring semester had quietly unraveled. Three classes had dwindled to one due to enrollment. Then that single class was enrolled at half capacity, which meant I would receive half of my pay.

I was still just as eager to begin the semester. The work itself had not diminished. But I needed to supplement what had quietly disappeared.

Anyone who has lived inside contract work in higher education knows its strange duality. The work is beautifully fulfilling and wildly unpredictable. During the first decade after graduate school, I averaged five classes per semester and often directed a show or coached a forensics team. I taught at two major universities, one surrounded by fields and open sky, the other pressed into the pulse of the city. On any given week, I might hear speeches about crop rotation and cattle auctions, then read papers on bioethics or constitutional law. I moved between farm boots and briefcases without leaving the classroom.

That panoply of subjects, people, and cultures has been a jewel box in my life. I did not take it lightly.

Two weeks ago, I chose to leave higher education. Not because it failed me. Not because I lacked joy there. A casual couch scroll opened a door I had not been seeking. A senior writing role at a large nonprofit ministry drifted across my screen. The position was full-time. I was searching for part-time. I still do not know why it appeared before me.

Yet as I read the description, something in my stomach came alive. It felt like excitement braided with fear. The kind of recognition that arrives before logic can intervene. A little too good to be true.

So I applied.

After a rigorous interview process, I received the phone call that shifted the trajectory of my career. As of today, I have completed my first week as a professional writer. I will also be able to weave in my love of performance by coaching actors and eventually directing in-house video and on-screen advertising projects.

Gratitude feels too small a word. But it is the truest one I have.

If you have followed my writing for any length of time, you know that my life detonated in 2020. There have been extraordinary highs and devastating lows since then. I will not rehearse those chapters here. I will say this: 2020 taught me that as long as we can breathe into the palms of our hands, we have choices. And life will change.

Sometimes it explodes. You hear the pieces fly overhead and crash down around you like shards of nuclear glass.

More often, life alters you quietly. It presses into the most meaningful parts of who you are becoming with a force so subtle you almost miss it. Sometimes change comes in the middle of a storm on the high seas, with sharks circling below. Other times it arrives with a sip of chamomile tea and the small square of space your finger occupies on a trackpad.

In the meantime, God. Always God. Orchestrating. Allowing the good, the bad, and the heartbreaking to fashion you into who you are becoming, at both the cellular level and in the broad strokes of His artistry.

Over the past year, I wrote more than I had ever written before. As that season began to close, I realized how much I would miss the act itself. The shaping of sentences. The long wrestle toward clarity. That realization drew me toward this new role. Especially once I saw that I could invert the hierarchy I had lived within for years. Writing would become the vocation. Theatre would become the ministry.

I have learned to keep my eyes awake. Not merely open, but awake to the possibilities of being alive inside a life that refuses to remain fixed. We cling to routines, to jobs, to people, to time itself. We hold them tightly as we dodge and sometimes integrate the slings and arrows that fly across this world. Yet life keeps moving. And so must we.

I will end with this.

Yesterday evening, I was hiking through a wood I know well. As sunset approached, the shadows lengthened and the creatures that run across the forest floor and the birds that alight above grew restless. It was loud. Urgent. Like an airport terminal at dusk. Everyone coming and going, crossing and recrossing the same narrow paths.

I stopped.

My stillness felt amplified against the constant motion around me. Above me stood tall, thriving trees preparing themselves for Spring. At my sides lay trunks that had fallen long ago, softened by time and weather. Growth and decay in the same frame. Arrival and departure breathing the same air.

And in the midst of it, I thought, This is life.

And it is beautiful.

Poem: Surrender

He found me in the middle of a war

Or maybe I should say

We found one another


The way two sleepy people—

Heads hanging down

Looking at the ground—

Bumps heads and

Mutter softly,

“Excuse me.”


I behind my shield

Holding to the leather strap

With knuckles white

Hands calloused where my grip

Could not afford to wane

Despite the pain

Of taking blows

And whispering low,

“How much longer?”


He to the left of his sword

Filled with ink

Black and dripping

Onto the page

Bleeding through

Pigments of rage and

Unanswered fear

Composing his mantra,

“What purpose here?”


We met on the battlefield

Surprised and confused

To find company

In the midst of assumed

Isolation

Comforted and ashamed

Of the devastation

We wore like scars and tattoos,

“Come no closer.”


Lucky for me

His eyes were exposed

Unprotected and flashing life

Like a flickering neon sign

Hanging in a window

Passed by thousands

Noticed by few

The shades drawn tight but,

“Open.”


Lucky for him

My grip was weakening

Armor slipping

He saw that I was breathing

Still awake but

Dirty from the fight

Ashamed of the darkness

But longing to ignite,

“Alive.”


We lifted our hands

Almost at the same time

Palms facing the other

Skin cracked and dry

Touching to confirm

Poetry written in the sky

In the form of sunshine

Warm and personified,

“I am here.”


I lowered my defense

He drew something new

Between my mind and my breast

We gazed and we grew

I, he, we began to smile

Said too much

Then nothing at all

Fear melting

Trust erecting a bridge to,

“Surrender.”

© Jill Szoo Wilson

Poem: Only a Hand

His hand was only a hand

With veins that rose and fell

Like gently rolling waves

A dip and a swell

Giving life to all within

Beneath the water and his skin.


His brush was only a brush

With bristles short and soft

Like freshly growing grass

Subject to the windy wafts

Of springtime growing new

Filling in the lines he drew.


His eye was only an eye

With so much more behind

Like the shade of green

That bends and winds

Beneath the skin inside her wrist

Deeper still before a kiss.


His art was only art

With confines of space and wood

Like the forest she explored

In the freedom of childhood

Filled with shadows and light

An expanse of elation and fright.

© Jill Szoo Wilson, 2026

Poem: Woman Waking

She lifted her hands toward the sky—

White and heavy with snow-laden clouds—

And stretched all the way through

From the tips of her fingers

To the delicate curves of her ankles:

A sound flew and then fell from her lips.


It was a sigh of awake, a dream of asleep—

Her breath still deep but rising to the surface—

She could see the wrinkles of her pillow

Branded into her face, holding on

Until they too had to fall from her cheeks

And rise, like steam from a cup of coffee.


The birds outside her window sang—

Songs of newness, routines and plans—

And then they were muted by the clamor

Of coffee beans bursting with fragrance

And tones more lively than even the birds

Could muster through beaks that sip only water.


She sat at her table wearing pajamas—

White cotton speckled with flowers of pink—

And she touched the tip of her mug

To lips that had not yet spoken into the day

But made only the sound of awake

And she swallowed the warmth as she thought.


Her thinking became clear and her eyes became bright—

Brightened like snow when the sun begins to shine—

A plan began to spin and to whir

Like the cogs in a machine newly oiled,

The sound of movement—of forward—

And she hopped on the sound like a wave.


Into the day she rode on an idea with wings—

The feathers were big like those of an angel—

Her hair blew backward and also to the sides

Into air that felt the way water feels

When at first the faucet cascades

Before the heat of hot has time to warm.


She was not sure where she was going—

The going was more important than the where—

Beating inside her was a heart

Burning inside was a feeling

Rising inside was a hope that

Waking was only the beginning.

© Jill Szoo Wilson, 2026

Poem: Lighthouse Hero

She called to him

Beneath a veil of night

When summer wore

Its hottest mask

Wax and dripping

Onto the earth

Leaving sticky puddles

Drenched and drying fast.

He was ill equipped

From skin to guts

No cape in his wardrobe

Or spectacles to hide his eyes

Paralyzed

By the fear–

No not the fear–

The knowing.

Knowing that his will

To fight for love

Was vacuum packed

And wrapped in moth balls,

It wreaked of age and of

The stench of desperate attempts

And falls–

Memories of unanswered calls.

Calls for him to be the one

The victor in the storm

Brimming to capacity

With strength enough to

Hold her heart–

At least her hand–

Across jagged tightropes

Stretching over pits of sand.

Quicksand questions

Lined with glue

Meant to close the chasm

Between expectation and

What is true–

Catechisms from the past

Never brought to light

Long enough

For queries to last.

What lasted was uncertainties

And now he paid the price

Not wanting to lose

Her

But unprepared to fight

All he could muster

Was a broken hero’s

Journey into night.

Night fell

Long past its time as

Summer solstice

Lazily drew its haze

Upon a sultry sky–

Like the afterglow

Of a camera’s flash

Imprinted behind the eye.

Eyes heavy with fatigue

Propped open by ambition

He pulled his jeans up high

Belted at the waist

Sat on the dew-drenched seat

Slicing through salt

Like he was a Sodomite Sculptor

Entering the competition.

A competition

Against himself

Against the doubt

Bubbling through

His tightening veins

Waking him from

Slumber of uncertainty to

Valor through adversity.

Adverse conditions

In the black

Gave way

As light he carried

Burned a path

Radiant as day–

Along the way he set it down

The dread that he had nothing to give.

He gave her a coordinate–

It was all he had–

A map written in the air

To help her find him

Approaching beneath a beacon

Brave and bright

Like a compass

More meticulous than starlight.

Starlight led her way

Across a stretch of sand

The edge of land

And water

Lapping against her skin

Deep and

Deeper still

She wandered toward the glow.

Glowing first as though a firefly

Small and far away

His vessel cutting through

The foam, mocking delay

For time no longer mattered

As slow their paths came near

He, soaked with ocean

She, doused in tears.

Her tears were anvils

From her soul

Releasing injured expectation

She felt her heaviness go–

Fly

Into the heavens

Where drafts outweighed

The currents swirling down below.

She never saw below

The hidden treasure trove

Inside his hidden space

The place

Where thought and emotion

Ruptured like burdened banks

To flood his heart and

Overflow–

Overflows of adrenaline

Like rain

Saturated and drowned his pain

Leaving only

In the boat

He and the lighthouse he kept

For her

A flame no longer detained.

No act of the Furies could detain

His passage toward her eyes

The two he knew without seeing

He could feel at the side of his neck,

Glimpse behind the pillow

Where once she lay

Inside his dreams

And–in the middle of day.

The glow began to grow

He rowed like a man

Pursued by death

And she

Released a laugh

That tore his heart

From two parts into one–

He dropped the oars so he could run.

He ran to just before her

Then stopped to etch her

All

Inside his mind

Where secrets forever kept

Could burrow, rest and hide,

"I came for you,"

He said–

She already knew

But she feigned a big surprise,

"I wondered at that

single point

upon the horizon growing

never knowing

whether I should run away

or stay."

"I am glad you stayed,"

He kicked some sand

Between his shoes

And cleared his tightening throat,

"Now that you have

would you allow

this reluctant pirate

to stay here, too?"

She blew out the candle

Burning above his face–

No need to keep it lit

Inside this place

Where journey’s end

Had come to rest–

"I never really lost you,” he said–

"Then I was never really lost."

© Jill Szoo Wilson, 2026

Poem: Exit, Stage Left

You left the room
with a clumsy flourish,
the door slammed quickly—
reverberating force
like a vacuum cleaner
shaking the dust, until
every corner rattled, left clean,
untraceable—
the map you had in your hand
a plan
long before anyone knocked.
You ran.

But you forgot about me.

You fled the scene
like a small boy whose shadows
stalked him
though he could not hear
the others say,
"That's simply the moonlight
trailing behind as it breaks
upon your face."
Merely a shadow.
I was the one whose voice you heard
I was still there—
I ran to the door
watched you flee,
from the entrance
you turned into an
exit.

But you forgot about me.

You closed the door with a lie.
Later
I closed the door with the truth—
One isn't better than the other.

Yes it is.

You had a victim's mask in your pocket
all along—
pieces of your defense
glued together
at my expense
wrought in a place of false pretense
cutting the edges of your hands
shaking at the moment of
planned dispense—
the past is a map.

Now I see

what before I missed.

(There is no before . . .
Sure there is.)

You were the one who always
showed up
until showing came with a price
which is not showing to give
but to take what you could
while fingering the razor
you'd use to excise,
lingering as long
as I was the sacrifice—
your comfort the key
my love the prize
your time a carrot
my loyalty a vice.

But you misread me.

I was telling the truth all along—
on the notes of every song
in the lines of the poems
and walks in the sand
in the gaze of my eyes
the touch of your hand
the finding and seeing
hearing, agreeing,
unfolding, repeating,
the four loves
and being—
freeing.

But you didn't see me.

I was there.
I remember it all.
I know the true parts
and the ones you call false—
what you call a dirge
was clearly a waltz
one-two-three, one-two-three,
I wasn't weak—
that’s never been me—
life has taught me resilience,
presence,
when to be quiet and
when to speak.

But now you can’t hear me.

I said the truth
with a slam—
for every action there is reaction—
that's what I teach.
You were "the other,"
my other,
I paid attention in full—
you had it all—
then, it was a gift to you
now, a gift to me
because as I look back I can see
we—you and me—
found our way to
living truthfully.
These scenes lay unrevised,
unchanged by your alterations—
the story is the same
no slight of hand
will defy the playwrights’ vision
like a Choose Your Own Adventure can—
the plot is still thick
(you know it's so)
we wrote the pages
created the spaces where each scene would go.

But you upstaged yourself and I left it all on the boards.

The places we graced
now empty stages
but stages withstand
construction and striking,
building up and tearing down
don't change reality
or the things we knew
the verbs, the nouns—
as the ghost light rolls on
what changes is
me
and yes,
even you—
and so, we.

© Jill Szoo Wilson, 2023