Come Visit Me on Substack

Hello friends,

I wanted to let you know that I’ve also been writing over on Substack. That publication is called Necessary Whispers, and it’s a bit more casual than what I tend to post here.

I just began a small series called 20-Today. The idea is simple: I write one poem or observation each day while I’m in motion — at the gym or on a trail — and I stop at twenty minutes.

That’s the only rule.

After spending much of this past year writing through heavier subjects, I’m turning toward something lighter. Writing simply for the joy of it!

If you’re curious, I’d love to have you join me there.

Here’s the link:
https://substack.com/@jillszoowilson

As always, thank you for reading, wherever you are.

❤️
Jill

The Wait

I couldn’t find an artist for this piece. I’d be happy to attribute it upon discovery.

He arrived early.

He always arrived early. It gave him time to rehearse the version of himself he planned to be. The diner sat off the highway with wood paneling darkened by decades of smoke and winter. A Budweiser mirror hung behind the counter. The jukebox near the bathrooms blinked in patient pinks and greens, waiting for quarters.

He chose the booth against the window. The vinyl was cracked in two places and repaired with strips of clear tape that had yellowed over time. He slid in, set his keys on the table, and checked his watch. The red numbers glowed briefly against his wrist before fading back to black.

7:42.

He trusted the red glow. It felt decisive.

The waitress, whose hair was sprayed into a shape that both defied and paid tribute to gravity, poured coffee into a thick white mug without asking. “You waiting on someone?” she said, already knowing the answer.

“Yeah,” he replied, with a smile he practiced in rearview mirrors.

He adjusted the sleeve of his Members Only jacket. He pressed the edge of the paper placemat flat with his palm. The placemat advertised a local car dealership and smelled faintly of ink and grease. Outside the window, the parking lot held his car and one pickup truck that had been there since he arrived.

He imagined her walking in.

He imagined the bell over the door ringing once. He imagined not looking up immediately. He imagined letting her cross the room before lifting his eyes, as if her arrival were incidental and not the center of his evening.

He lifted the mug. The coffee was hot enough to require patience. Steam rose and vanished.

The door did not open.

7:58.

Maybe she was late.

Traffic collects where it pleases. A woman might linger at her kitchen counter, turning a ring around her finger. She might rehearse the first sentence and discard it. The evening could still be intact, only delayed.

The door did not open.

The first flicker of heat came when the clock above the counter clicked to 8:00, and the jukebox changed its lights. He felt it low in his chest, the way a swallowed word lingers. He realized he was counting the seconds between passing headlights in the parking lot. One. Two. Three. The gap stretched longer each time, like the space between lightning and thunder when the storm is blowing away.

He folded his hands on the table. He pressed his thumb against the rim of the mug to steady a tremor he refused to acknowledge.

The booth across from him remained empty.

The fire began quietly.

It gathered itself first, narrow and deliberate, like a man straightening his tie before stepping into a room. The flame rose from the center of him in a single, disciplined line, bright without frenzy. It kept its posture. It traced the length of his body with precision, as though even humiliation preferred form. The vinyl held. The napkin lay flat. The sugar caddy caught the light and gave nothing away. The fire belonged to him and to no other surface.

He did not look around.

He knew what it meant.

It was the heat of being visible without being chosen. It was the temperature of a man seated in plain sight while the woman he waited for occupied some other evening entirely.

He slipped his hand into the pocket of his jacket and felt the soft crush of a Marlboro pack. He considered lighting one. He imagined the smoke blending with whatever rose from him. He left the pack where it was. It might smell more like nicotine and less like Stetson.

8:17.

He could leave.

He could stand, slide a five-dollar bill beneath the saucer, and nod at the waitress as though something had come up. He could step into the night before anyone calculated how long he had been there. He could revise the story later. He could say he changed his mind first.

Instead, he stayed.

He let the fire narrow him.

It burned through the scene he had rehearsed on the drive over. The way she would tuck her hair behind her ear. The way she would say his name as if it surprised her. The way the first silence between them would feel charged instead of awkward. Each imagined moment flared and collapsed, bright and brief.

The waitress wiped down the counter with a cloth that smelled faintly of bleach and Ranch dressing. A man in a trucker cap fed a quarter into the jukebox and selected a song that crackled before finding its melody.

The booth across from him held its vacancy with composure.

He understood then that absence makes an entrance of its own. It sits across from you and asks nothing. It leaves you to supply every explanation.

The heat climbed higher.

He felt it behind his eyes, where pride waits. He felt it in his throat, where apologies gather. He felt it in the small, involuntary tightening of his jaw.

He closed his eyes.

Behind his eyelids, color pressed and thinned, as if light were searching for a seam. The closed door no longer mattered. The parking lot no longer held narrative weight. What remained was the outline of himself, suspended in brightness, and the steady recognition that nothing outside him required explanation.

The fire thinned slowly, like steam from cooling coffee.

He opened his eyes.

He lifted the mug and drank what remained. The coffee had cooled into the color of old pennies. A bill lay beneath the saucer like a quiet offering. He stood and drew his palms down the front of his jacket, smoothing it as though pressing the last ember flat.

The bell above the door rang when he pushed it open. Just once.
“Yes,” he murmured. “That’s right.”

The night received him in its thin winter air. Gasoline, frost, distant highway. His breath moved cleanly now.

Inside the diner, nothing smoldered. The booth remained intact. The coffee cup cooled into porcelain silence.

The ash had settled elsewhere.

It lined his lungs. It sifted softly behind his ribs. It marked the place where waiting once stood.

He crossed the parking lot lighter by one imagined future.

© Jill Szoo Wilson, 2026

Poem: Lucy, After

History prefers its geniuses solemn.
Preferably male.
Preferably seated.

Preferably holding a cigar—
not a cigarello
between long red fingernails.

Instead—
a woman with hair like an emergency flare.

Tell me:
who approved that color?
Which committee of grey
signed off on scarlet?

She slips on grapes.
The floor does not conspire.
Gravity does what gravity has always done.
The miracle is timing.

A conveyor belt advances chocolates
toward frenzy.
She does not manage the machinery.
She collaborates with it.

Is this not a form of authorship?
To be devoured publicly
and still shape the rhythm?

Another spoonful.
The vowels lose confidence.
A nation repeats the error
faithfully.

Behind the laughter—
what?

A pen moving.
A contract reconsidered.
A chair dragged two inches closer to the head of the table.

Two inches is nothing.
Two inches is history.

The cigars call her difficult.
Smoke prefers obedience.
Fire prefers oxygen.

Which one endures?

The camera adored her.
Which is to say
it surrendered.

Or did she surrender first—
learning its angles,
its appetite,
the exact duration of a silence
before an audience inhales?

Meanwhile, another actress waits
in a hallway that smells faintly of carpet glue
and compromise.

How long has she been there?
Since childhood?
Since the first “maybe next time”?

Lucy opens the door.

The actress who had trimmed her ambition
to fit inside the cigars’ shadows
discovers a window.

Somewhere, years later,
a woman walks into a room
and does not think to apologize.

How does permission travel?
Through blood?
Through rumor?
Through reruns?

The grapes are now wine.
The pratfall loops.
The Martian is still loitering
on the windowsill.

Was she a clown?
An executive?
A wife staging chaos while drafting order?
Yes.

Is solemnity the only costume
genius may wear?

If so,
why did the room tilt
when she leaned?

She falls.
She rises.

The laughter echoes.

The chairs remain turned
toward hers.

© Jill Szoo Wilson, 2026

Poem: The Slow Burn of Sorrow

Sorrow rarely storms the gates.
It prefers a smaller entrance—
a match struck against porcelain,
that sulfurous whisper
before light takes shape.

The candle stands upright in its brass throat,
ivory, almost innocent,
its surface smooth as a held breath.
You light it for reasons that feel reasonable—
ambience, perhaps,
or the softness that forgives a room
its hard edges.

The flame gathers itself slowly,
a petal of fire opening and closing
with each exhale in the house.
It leans into drafts you cannot feel,
tilts its bright head
as though listening.

At first nothing changes.
The wax remains sculpted,
cool-boned and pale.
The wick, a slender spine,
holds its posture bravely.

But look closer.

There is a darkening at the tip—
a quiet charring,
the black bead forming
like a thought you would rather not finish.
It glows from within,
red as an ember hiding in its own ash.

The heat loosens the body of the candle.
Not all at once—
never with spectacle.
A thin gloss appears at the rim,
a tremor of liquidity.
Then a slow descent:
wax turning to shine,
shine turning to droplet,
droplet to a small translucent lake
cupping the flame.

You watch.

The surface quivers
whenever the flame inhales.
Tiny tides lap against the unmoving wall.
A fragrance of warmed paraffin
settles into the curtains,
into your sleeves,
into the open mouth of the room.

Minutes pass without declaring themselves.
There is no visible subtraction,
no chunk torn away.
The candle appears steadfast,
nearly identical
to the candle it was.

Yet the wick is shortening
in increments too modest
for pride.
Each second
takes a grain.
Each breath
a filament.

Sorrow proceeds this way.

It does not alter your reflection
all at once.
It warms you from the inside
until something structural
begins to soften.

You still answer the door.
You rinse the glass.
You fold the towel along its old creases.
The day goes on wearing its ordinary clothes.

Meanwhile—
inside the brass holder—
there is a geography forming:
ridges of cooled drips,
stalactites hardened mid-fall,
a white valley carved
around the dwindling core.

The flame continues its patient labor,
unaware of clocks.
It has only one task:
to be itself,
to consume what holds it upright.

From moment to moment
nothing seems different.
The room remains the room.
The table remains the table.
Your hands remain your hands.

And yet—

Hours have thinned the column.
The wick, once vertical,
bends inward,
a tired reed in shallow water.
The molten pool deepens.
The walls cave gently toward the center
as if listening for news.

You glance away.
You glance back.
Still, it burns.

You could swear
it will burn forever.

But eventually you notice
the brass plate shining through
where ivory once stood.
A shallow basin of cooled wax
holds the fossil of flame—
a curled black thread
leaning against its own exhaustion.

Sorrow leaves such evidence.

No crash.
No shattered pane.
Only the quiet arithmetic
of something becoming less
while appearing the same.

You cannot say when the candle
crossed from whole
to almost gone.

You only know
that at some unnoticed hour
the light you trusted
was busy
turning itself
into absence.

© Jill Szoo Wilson, 2026

Poem: Hall of Dreams

Within me
(one)
are many.

I stand before
a hall of dreams—
experiences arranged
like exhibits:
fair trades,
unbalanced ones,
who I was
and who I could not be.

I sit in the gallery
of my own imagining,
hovering above
movement and stagnation,
searching for pattern.

Logic keeps me safe
while everything mingles.

The projector clicks.

Slow at first.
Then steady—
like a train pulling memory
down its track.

Flicker.
Light.
I am lulled.

I understand the staying
and the leaving,
the cleaving,
the fall.

Shadows drip
between choice
and consequence—
wax from a tongue
that once burned
with lies.

Faces I trusted
tilt in the light.

Spies in their eyes.

Or was it mine
that misread?

I thought I knew.

At least
I trusted.

I replay.

Hover above.

Detached.
Objective.

What questions
should I have asked?

The kiss.

It split me.

Once one—
now two.

I built a case
for future disgrace,
called it truth,
called it depth,
called it destiny.

But you only tilted me—
then let me go.

What I named vast
was narrow.

What I called deep
was small.

The descent—
mine.

I wanted you
to speak truth.
Instead
I heard
what I wanted.

Weak.
Yes.

Deceived—
by myself.

Within me
(one)
are many—

but now
one fewer.

I lay the hall down.
Let the projector darken.

Offer illusion
back to silence.

And keep
what is real.

© Jill Szoo Wilson

Poem: A Man Lay Dying in a Field

A man lay dying in a field
between blades of grass,
panting
like a dog without water,
searching for air
not to be found.

In the quiet of night
where darkness
falls
and fills the earth,
spilling into
crevices deep and wide,

he wondered at the sky.
The reasons why
seemed now
to matter most—
there was nothing left
to boast.

Emptied of the fight,
his limbs
dreamed of flight.
Wrists turned upward,
soft skin
receiving midnight dew.

Fluttering eyelashes—
butterfly wings
above his blue.
Whispered memories
of when hope was fresh,
a fruit heavy with sweet.

A sound in the sky.
Wings opened wide.
Staring,
but not seeing.
Hearing,
he began to listen.

A breeze,
like mystery,
rolled in—
a wave in the expanse,
surfing stars
in a cosmic dance.

His limbs began to sway,
cradled by beauty
far and near,
above and surrounding.

His heaving stilled.
Focus tore free
from breathlessness
to oxygen
pouring down
like honey.

Water leapt from his heart,
flooded his blue,
nourished
his soul
and the grass.

A release on the ground.
A release in the sky.
Two powers
surging—
electricity
between earth and heaven.

A man lay dying in a field
until
he decided
not
to
die.

Instead, he laughed.
He writhed in pain
and howled at the stains of grass
on his pants.

When laughter ceased,
the loss,
the pain,
the breathless grief
rose like smoke
and fled into the clouds.

Mystery swirled,
a ghost swinging from the moon.
The living man stood,
said goodbye to the end
and hello
to the new.

© Jill Szoo Wilson, 2016

Casual Impact

By Jill Szoo Wilson

One cold, misty evening in January, I was sitting on my couch, scrolling through a website that lists job openings in my area. I was looking for a part-time position to run in tandem with my teaching assignment for the Spring semester. While my teaching load for the following school year included an overload between courses and directing a play, my Spring semester had quietly unraveled. Three classes had dwindled to one due to enrollment. Then that single class was enrolled at half capacity, which meant I would receive half of my pay.

I was still just as eager to begin the semester. The work itself had not diminished. But I needed to supplement what had quietly disappeared.

Anyone who has lived inside contract work in higher education knows its strange duality. The work is beautifully fulfilling and wildly unpredictable. During the first decade after graduate school, I averaged five classes per semester and often directed a show or coached a forensics team. I taught at two major universities, one surrounded by fields and open sky, the other pressed into the pulse of the city. On any given week, I might hear speeches about crop rotation and cattle auctions, then read papers on bioethics or constitutional law. I moved between farm boots and briefcases without leaving the classroom.

That panoply of subjects, people, and cultures has been a jewel box in my life. I did not take it lightly.

Two weeks ago, I chose to leave higher education. Not because it failed me. Not because I lacked joy there. A casual couch scroll opened a door I had not been seeking. A senior writing role at a large nonprofit ministry drifted across my screen. The position was full-time. I was searching for part-time. I still do not know why it appeared before me.

Yet as I read the description, something in my stomach came alive. It felt like excitement braided with fear. The kind of recognition that arrives before logic can intervene. A little too good to be true.

So I applied.

After a rigorous interview process, I received the phone call that shifted the trajectory of my career. As of today, I have completed my first week as a professional writer. I will also be able to weave in my love of performance by coaching actors and eventually directing in-house video and on-screen advertising projects.

Gratitude feels too small a word. But it is the truest one I have.

If you have followed my writing for any length of time, you know that my life detonated in 2020. There have been extraordinary highs and devastating lows since then. I will not rehearse those chapters here. I will say this: 2020 taught me that as long as we can breathe into the palms of our hands, we have choices. And life will change.

Sometimes it explodes. You hear the pieces fly overhead and crash down around you like shards of nuclear glass.

More often, life alters you quietly. It presses into the most meaningful parts of who you are becoming with a force so subtle you almost miss it. Sometimes change comes in the middle of a storm on the high seas, with sharks circling below. Other times it arrives with a sip of chamomile tea and the small square of space your finger occupies on a trackpad.

In the meantime, God. Always God. Orchestrating. Allowing the good, the bad, and the heartbreaking to fashion you into who you are becoming, at both the cellular level and in the broad strokes of His artistry.

Over the past year, I wrote more than I had ever written before. As that season began to close, I realized how much I would miss the act itself. The shaping of sentences. The long wrestle toward clarity. That realization drew me toward this new role. Especially once I saw that I could invert the hierarchy I had lived within for years. Writing would become the vocation. Theatre would become the ministry.

I have learned to keep my eyes awake. Not merely open, but awake to the possibilities of being alive inside a life that refuses to remain fixed. We cling to routines, to jobs, to people, to time itself. We hold them tightly as we dodge and sometimes integrate the slings and arrows that fly across this world. Yet life keeps moving. And so must we.

I will end with this.

Yesterday evening, I was hiking through a wood I know well. As sunset approached, the shadows lengthened and the creatures that run across the forest floor and the birds that alight above grew restless. It was loud. Urgent. Like an airport terminal at dusk. Everyone coming and going, crossing and recrossing the same narrow paths.

I stopped.

My stillness felt amplified against the constant motion around me. Above me stood tall, thriving trees preparing themselves for Spring. At my sides lay trunks that had fallen long ago, softened by time and weather. Growth and decay in the same frame. Arrival and departure breathing the same air.

And in the midst of it, I thought, This is life.

And it is beautiful.

Poem: Drenched

Once I was told that Hope

Is the sky filled with sunshine

That it spreads like light,

Floats like a helium filled balloon,

Dances like the tail of a kite.


I wondered at this metaphor

Sprawling amidst the wind

Like a howling current

Vibrating on the wings of

Birds that flap before they soar.


Can Hope be so far

Above my head

Where only flying things

Rise to tread

And I on the ground

Watching

Awaiting release

Of a treasure trove

Unlatched and

Spilling down?


What if Hope is more like rain—

A simile easier to attain—

It does not gently lie atop

The atmosphere but

Is conjured inside storms

Like a witch’s brew

Bubbling through with contents

Thrown into a fiery caldron

Until that time when

The pressure built, releases.


Storm-soaked orbs floating down

Subject to the whims of

Gusts above and around

Hollow of motivation

Innocent as they fall to the ground.

And we, in soggy shoes,

Choose to stay

In the rain

Marinate

Let it penetrate

All the way through—

Some people run for cover

But not us

Not the dreamers

Or the lovers

Or the ones who understand

That the storms

Force the hands

Of Hope and of those

Stubborn in their wills

To see the brightness

Ahead—

Withstanding

Steeping

In watery expectation.


My friend,

If they tell you

Hope is the sun

Smile, nod and

Move along

With squeaky shoes

Leaving tracks

On the ground

To be found by those

Who seek the courage to drown.

© Jill Szoo Wilson, 2026

Poem: Surrender

He found me in the middle of a war

Or maybe I should say

We found one another


The way two sleepy people—

Heads hanging down

Looking at the ground—

Bumps heads and

Mutter softly,

“Excuse me.”


I behind my shield

Holding to the leather strap

With knuckles white

Hands calloused where my grip

Could not afford to wane

Despite the pain

Of taking blows

And whispering low,

“How much longer?”


He to the left of his sword

Filled with ink

Black and dripping

Onto the page

Bleeding through

Pigments of rage and

Unanswered fear

Composing his mantra,

“What purpose here?”


We met on the battlefield

Surprised and confused

To find company

In the midst of assumed

Isolation

Comforted and ashamed

Of the devastation

We wore like scars and tattoos,

“Come no closer.”


Lucky for me

His eyes were exposed

Unprotected and flashing life

Like a flickering neon sign

Hanging in a window

Passed by thousands

Noticed by few

The shades drawn tight but,

“Open.”


Lucky for him

My grip was weakening

Armor slipping

He saw that I was breathing

Still awake but

Dirty from the fight

Ashamed of the darkness

But longing to ignite,

“Alive.”


We lifted our hands

Almost at the same time

Palms facing the other

Skin cracked and dry

Touching to confirm

Poetry written in the sky

In the form of sunshine

Warm and personified,

“I am here.”


I lowered my defense

He drew something new

Between my mind and my breast

We gazed and we grew

I, he, we began to smile

Said too much

Then nothing at all

Fear melting

Trust erecting a bridge to,

“Surrender.”

© Jill Szoo Wilson

Poem: Only a Hand

His hand was only a hand

With veins that rose and fell

Like gently rolling waves

A dip and a swell

Giving life to all within

Beneath the water and his skin.


His brush was only a brush

With bristles short and soft

Like freshly growing grass

Subject to the windy wafts

Of springtime growing new

Filling in the lines he drew.


His eye was only an eye

With so much more behind

Like the shade of green

That bends and winds

Beneath the skin inside her wrist

Deeper still before a kiss.


His art was only art

With confines of space and wood

Like the forest she explored

In the freedom of childhood

Filled with shadows and light

An expanse of elation and fright.

© Jill Szoo Wilson, 2026